Truth be told, no one ever thought that two young guys would be able to service in camera rental and be able to hold off companies with more than 35 years in the market.This is the story of Raphael Vieira and Edu Ruiz. A director and a cinematographer whom were able to make the market flip because of the RED ONE camera. Here is the logo that made it happen. Very excited to keep it happening now that the 3D world is evident. We at Inspi(RED) Cameras have shot already our first 3D on RED, with a personalized baseplate created by our technicians. This is us and our 3D link for viewing…..The 3D film: http://www.vimeo.com/8533361We are very happy with this first year outcome. Though, we like to think that this is still part of the initial phase of the RED Revolution.We’ll keep trucking for now.
The newly shot film “Tempos de Paz” from director Daniel Filho will premier this month, August 14th. Considered a low budget film, for Daniel Filho’s standard, after the amazing audience that watched “Se Eu Fosse VocÊ 2″. This film, “Tempos de Paz” was a breakthrough in workflow and new standards in such an analog country like Brazil.It allowed Daniel Filho to find himself in a medium that is still questioned after almost 2 years of great cinematographic discoveries. The new film being shot under the supervision of my company, Inspired Cameras, is considered an Epic, since it’s a film about one of the greatest religious man, in brazilian history. Not only a religious man, but a very well rounded and inteligent psycho-writer. In time, RED ONE in Brazil has made a huge impact on the industry. There are over 50 cameras, and the market is still blooming with new produtions houses shifting costs and using RED ONE to hit the best potential in production and post.
This new film, in my opiniion will divide people, in a way were the top question that never ceases to exist… shoot RED or FILM ? I know for a fact that RED is not the perfect camera. But the direction they are heading is towards the best possible light. And I like that.
After almost 8 months since I last posted on this website. I return to my duty in a completely new stage of life. Not only rising with a new production house, but a new website that will take over from here on… www.INSPIREDCAMERS.com.br.
Let’s not forget that this year we’ll have the first film to be fully distributed in Brazil, SHOT ON RED ONE # 663 (Inspired Cameras) and # 1038 (Cinemar). The name of the film in portuguese is “Tempos de Paz” directed by: Daniel Filho, with star actors Tony Ramos and Dan Stulbach.
LINK: http://www.vimeo.com/1477663 Tive a honra de ser convidado para dirigir o primeiro video clipe, lançamento de um novo CD “Devaneios e Froforilações” da banda PLAYMOBILLE. Mulecada travessa que vai render bons frutos no Rock n’ Roll brasileiro. Musicas originais de composições simples mas flutuantes. Como essa musica com titulo tão divertido… Filmamos de RED ONE, o primeiro trabalho oficial da Tetelo Frames Production. Dirigido por: Raphael Vieira Produzido por: Gustavo Castello Branco Assistente de Direção: Talita Vacarro Direção de Arte: Fernanda Teixeira Diretor de Fotografia: Eduardo Ruiz Mais informação da banda… www.myspace.com/playmobille
Since the RED camera has arrived in Brasil. Life has changed. Convincing has been hard, but it will be done. Like brazilian politics, it will take some “seeing to believing”.
The short film Untouched has become a feature length film in script with 120 pages of pure emotion. It’s been 2 years now that the film was shot and completed. Three festivals later and one award (Ashville Film Festival in South Carolina), Untouched begins to rise as the production package is nearly finished.
To remember the time. The new website is up. Still in development.
We arrived on Wednesday 25/3/2008 in Miami. From the get go we moved, grooved, and shot as much as we could to cover the best of Brazilian electronic music in Miami, new technologies, girls in bikini, and tons of top DJs.
Check out the weight! www.wintermusicconference.com / www.ultramusicfestival.com
It is with great pleasure, and I’ll say this in english since this is a constant always changing globalized porfolio website. That I will be officially joining the RED Revoultion being able to shoot features and TV series withe RED ONE Camera this upcoming spring. It’s been about 3 years, if I’m not mistaken the first time I read about the “red one” on www.hdforindies.com, as said by a smart fellow that has been a never ending source of precious tested knowledge. Now, 4K will become reality for me and those joining the revolution. Two thumbs up!Now it’s time to gear up and begin the revolution. I’m glad Fidel is here to watch.17500 Red one body1250 Base Production Pack6500 RED 18-50 mm zoom1700 RED LCD1450 RED Power Pack + 400 (1) battery (3) 900 RED RAID (ALL IN AMERICAN DOLLAR)Shout out to Jim Jannard, Mike Curtis (again), reduser.net and the RED ONE TEAM. As we say it in Brasil.Busting through the door double-dragon style!RED #663 - OUT
“Crossing the Line”. Shot under 4K resolution, on RED Camera “Boris”. Film directed by Peter Jackson. Shot with S4 Cooke Prime lenses in New Zealand under WETA production supervision. A bit of VX, on the sky shot, but in this kind of film, who wouldn’t? For the actual full size still. Nowhere better, www.red.comtchau!
.The 3D film: http://www.vimeo.com/8533361We are very happy with this first year outcome. Though, we like to think that this is still part of the initial phase of the RED Revolution.We’ll keep trucking for now.
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